Born in Daejeon, Korea, in 1975.

Lee graduated from the Department of Photography at Korea Central University in 2003, received a master's degree in 2006 and received his PhD in 2007.

He is currently working at the Zandari Gallery in Seoul, South Korea, and is also a lecturer at several universities. The work has won many awards. 

His work uses a complex process to create a simple picture of the tree separated from its environment, with a hint of transcendence. In this series called "The Tree," "Photography Behavior" doesn't stop at the click of the shutter.

It seems to us a very different perspective that apart from any other land art, but the Zen style which comes from the northeastern Asian culture.

Look at the tree in a large space to highlight the beauty and uniqueness of the tree itself. Looking at his photography in this way.

Through the artificially designed canvas background, ordinary objects are turned into bodies, stood out from the ordinary wind light.

Trees in this series are all shooting away from their roots, and families. During the shoot, Lee's work uses a complex process to create a simple picture:

By putting a white curtain on the back of them in advance, which turns ordinary trees into the "models" standing in front of the artist, and a 4X5 camera captures the beauty of different trees in different seasons and places.

Lee Ming Ho separates the object from the shooting environment, creating an illusion between the real tree and the painting tree to audiences.

Photography is a difficult self-consciousness, it cannot make objects on its own, but can only reproduce objects, it acts with its own "incomplete interference" to the subject's history. 

A new fork of making photo has been created, Lee’s photograph skips the media function as the subject. This working method enables artists to explore what is behind the subject – a link between photography and the subject, aimed at rebuilding a relationship that rejects the consensus that photography cannot express the subject.